For a guy whose seemingly one-note delivery is still continually trotted out by hack comics/impressionists, James Stewart played a lot of different kinds of parts in a lot of different kinds of ways. The scene in "It's a Wonderful Life" in which he shares a telephone receiver with Donna Reed is possibly my favorite scene in movies. James Stewart was so damned likable and such a great actor, I can even forgive him for being a Republican. James Stewart, you're alright.
Recommended (there are a lot of Frank Capra and Anthony Mann movies missing, not because I dislike them, but because I have a lot of gaps to fill in the Capra and Mann filmographies):
The Shop Around the Corner (Ernst Lubitsch, 1940)
It's a Wonderful Life (Frank Capra, 1946)
Rear Window (Alfred Hitchcock, 1954)
The Man Who Knew Too Much (Alfred Hitchcock, 1956)
Vertigo (Alfred Hitchcock, 1958)
Two Rode Together (John Ford, 1961)
The Man Who Shot Liberty Valance (John Ford, 1962)
Cheyenne Autumn (John Ford, 1964) (Stewart's scenes are great in this, even though tonally and narratively they have nothing to do with the rest of the film, and were only added for comic relief)
The Shootist (Don Siegel, 1976)
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