Saturday, October 31, 2009
First movie/last movie: Charlie Chaplin
The Kid (1921)
A Countess from Hong Kong (1967)
I'm only including features here, so I'm unfairly leaving out the 50+ short films he made before The Kid, many of them fantastic. By the way, the little kid in The Kid, Jackie Coogan, later went on to grow up and play Uncle Fester on "The Addams Family."

A Countess from Hong Kong (1967)
I'm only including features here, so I'm unfairly leaving out the 50+ short films he made before The Kid, many of them fantastic. By the way, the little kid in The Kid, Jackie Coogan, later went on to grow up and play Uncle Fester on "The Addams Family."

Wednesday, October 28, 2009
Saturday, October 24, 2009
Wednesday, October 21, 2009
Monday, October 19, 2009
Thursday, October 15, 2009
My moviegoing: 2003
Wednesday, October 14, 2009
Tuesday, October 13, 2009
Friday, October 09, 2009
Wednesday, October 07, 2009
Monday, October 05, 2009
Friday, October 02, 2009
Wednesday, September 30, 2009
Monday, September 28, 2009
American movies, 1970-1979
from James William Guercio's Electra Glide in Blue (1973)
This is the only film directed by musician/entrepreneur Guercio, who, at the time of filming, managed Chicago (the band, not the city) in its "25 or 6 to 4" heyday. A tribute to John Ford's Monument Valley westerns and an ironic reverse-Easy Rider biker cops vs. sleazoid counterculture creeps black comedy, the film contains a great Robert Blake performance and Conrad Hall's gorgeous cinematography. It is eye-poppingly bizarre and compelling in its fine first half before turning into a plot-heavy cliched thriller in its second half, though it manages to get nice and weird again in its final ten minutes. I saw part of it in a hotel in Alabama before the TV broke. When I tried to fix it, I found several empty airplane-sized liquor bottles behind the set. That is to say, the bottles were the size found on airplanes, not the size of airplanes. My god, imagine an alcoholic hotel maid trying to hide a Lufthansa Airbus-sized bottle of Jim Beam. What a sight. I caught up with the whole thing on DVD a few years later.

This is the only film directed by musician/entrepreneur Guercio, who, at the time of filming, managed Chicago (the band, not the city) in its "25 or 6 to 4" heyday. A tribute to John Ford's Monument Valley westerns and an ironic reverse-Easy Rider biker cops vs. sleazoid counterculture creeps black comedy, the film contains a great Robert Blake performance and Conrad Hall's gorgeous cinematography. It is eye-poppingly bizarre and compelling in its fine first half before turning into a plot-heavy cliched thriller in its second half, though it manages to get nice and weird again in its final ten minutes. I saw part of it in a hotel in Alabama before the TV broke. When I tried to fix it, I found several empty airplane-sized liquor bottles behind the set. That is to say, the bottles were the size found on airplanes, not the size of airplanes. My god, imagine an alcoholic hotel maid trying to hide a Lufthansa Airbus-sized bottle of Jim Beam. What a sight. I caught up with the whole thing on DVD a few years later.

Sunday, September 27, 2009
Thursday, September 24, 2009
Wednesday, September 23, 2009
Monday, September 21, 2009
Sunday, September 20, 2009
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