Saturday, October 31, 2009

Happy Halloween!

First movie/last movie: Charlie Chaplin

The Kid (1921)
A Countess from Hong Kong (1967)
I'm only including features here, so I'm unfairly leaving out the 50+ short films he made before The Kid, many of them fantastic. By the way, the little kid in The Kid, Jackie Coogan, later went on to grow up and play Uncle Fester on "The Addams Family."



Wednesday, October 28, 2009

American movies, 1970-1979

from Sam Peckinpah's Pat Garrett & Billy the Kid (1973)

Saturday, October 24, 2009

My moviegoing: 2003

from Lynne Ramsay's Morvern Callar (2002)

Wednesday, October 21, 2009

Monday, October 19, 2009

American movies, 1970-1979

from Paul Mazursky's Blume in Love (1973)
They couldn't all be winners, pt. 2

Thursday, October 15, 2009

My moviegoing: 2003

from Tian Zhuangzhuang's The Horse Thief (1986)
Austin Film Society's Chinese Films of the Past Two Decades series

Wednesday, October 14, 2009

First movie/last movie: Frank Capra

The Strong Man (1926)
Pocketful of Miracles (1961)


Tuesday, October 13, 2009

American movies, 1970-1979

from Terrence Malick's Badlands (1973)

Friday, October 09, 2009

My moviegoing: 2003

from Sam Peckinpah's Pat Garrett & Billy the Kid (1973)
James Coburn retrospective: Alamo Drafthouse

Wednesday, October 07, 2009

First movie/last movie: Luis Bunuel

L'age d'or (1930)
That Obscure Object of Desire (1977)


Monday, October 05, 2009

Friday, October 02, 2009

My moviegoing: 2003

from Spike Jonze's Adaptation (2002)

Wednesday, September 30, 2009

Monday, September 28, 2009

American movies, 1970-1979

from James William Guercio's Electra Glide in Blue (1973)
This is the only film directed by musician/entrepreneur Guercio, who, at the time of filming, managed Chicago (the band, not the city) in its "25 or 6 to 4" heyday. A tribute to John Ford's Monument Valley westerns and an ironic reverse-Easy Rider biker cops vs. sleazoid counterculture creeps black comedy, the film contains a great Robert Blake performance and Conrad Hall's gorgeous cinematography. It is eye-poppingly bizarre and compelling in its fine first half before turning into a plot-heavy cliched thriller in its second half, though it manages to get nice and weird again in its final ten minutes. I saw part of it in a hotel in Alabama before the TV broke. When I tried to fix it, I found several empty airplane-sized liquor bottles behind the set. That is to say, the bottles were the size found on airplanes, not the size of airplanes. My god, imagine an alcoholic hotel maid trying to hide a Lufthansa Airbus-sized bottle of Jim Beam. What a sight. I caught up with the whole thing on DVD a few years later.


Sunday, September 27, 2009

My moviegoing: 2003

from George Clooney's Confessions of a Dangerous Mind (2002)

Thursday, September 24, 2009

Musicians on film

Musicians on film #22: The Feelies in Jonathan Demme's Something Wild (1986)

Wednesday, September 23, 2009

Monday, September 21, 2009

American movies, 1970-1979

from William Friedkin's The Exorcist (1973)

Sunday, September 20, 2009

My moviegoing: 2003

from Jean-Luc Godard's In Praise of Love (2001)

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